Theresa Marx pictures Anni Jurgenson as the “Abstract Gardener”.
In an industrial glasshouse with no green, there aren’t any shrubs to trim for the Abstract Gardener. The sunlight filters through the windows and slowly turns Anni into a flower. As a delicate spring blossom, she wears the playful designs of Gyo Yuni Kim Choe. Then suddenly she grows into an exotic plant. Her human body disappears in Quoï Alexander‘s forest of knots and woven wonders, finally revealing her savage beauty.